We’re delighted to share that our team member María Ferrández-San Miguel took part in the 2025 AEDEAN Conference, contributing to the rich discussions on contemporary literature and posthuman studies. 🌍📚

María delivered the paper “The Science behind Jeff VanderMeer’s Southern Reach Series: On the Performativity and Creativity of Matter,” where she explored the intersections between science, ecology, and posthuman ontology in VanderMeer’s acclaimed trilogy. Her analysis highlighted how The Southern Reach reimagines matter as an active, creative force—an idea central to posthumanist and new materialist frameworks.

In addition to her presentation, María also introduced the recently published volume The Posthuman Condition in 21st Century Literature and Culture: Interdisciplinary Insights (Palgrave Macmillan, 2025), co-edited with Esther Muñoz-González and Carmen Laguarta-Bueno. The book gathers contributions from international scholars exploring posthumanism across literature, film, and culture.

It was an inspiring event that once again showcased the vibrant dialogue between literary studies, philosophy, and science—core to our group’s ongoing research. ✨

We are delighted to announce the upcoming seminar “Posthumanismo y Estética Digital del S. XXI”, to be delivered by our team member Miriam Fernández Santiago on December 17, 2025, at 11:30 a.m. in Aula Ana Pardo (Facultad de Filosofía y Letras, Universidad de Zaragoza).

In this session, Miriam will delve into the cultural and philosophical transformations that define what has been called the Third Media Age (Li) or the Fourth Industrial Revolution (Schwab). These profound shifts, marked by both socioeconomic and technological change, resonate with the key tenets of Posthumanism—both in its critical and transhumanist strands.

As she explains, the variety of labels proposed for our current aesthetic framework—post-postmodernism, digimodernism, metamodernism, new sincerity, among others—attests to the difficulty of identifying a stable paradigm for the new millennium.

To address this, Miriam proposes the concept of the “Neoapolíneo”, an aesthetic paradigm that captures the ergodic (participatory) and synthetic dimensions of 21st-century digital culture. Her talk will highlight how this framework fits within agential materialism, drawing connections to the principles of quantum physics.

This promises to be a stimulating exploration of how posthuman philosophy and digital aesthetics intersect in contemporary cultural production. ✨

📅 Date: December 17, 2025
🕦 Time: 11:30 A.M.
📍 Venue: Aula Ana Pardo, Facultad de Filosofía y Letras

We look forward to seeing you there!

📢 This week, several of our team members took part in the #LimLitConference2025, organized by our colleagues from the LIMLIT Research Group at the University of Zaragoza. It was an inspiring week full of vibrant discussions, critical reflections, and interdisciplinary exchanges! ✨

Throughout the conference, our researchers presented their latest work exploring posthumanism, relationality, and contemporary American literature:

📃 Ana Chapman delivered the paper “The Narrative of ‘Murmure’ and ‘Memor’: Relationality and Evolution in Marshall’s The Migration.”

📃 Our co-PI Mónica Calvo-Pascual presented “Body Agency and Radical Kinship in Rivers Solomon’s An Unkindness of Ghosts.”

📄 María Ferrández-San Miguel shared her work “Mourning the Human? Posthuman Death and Ontological Vulnerability in Jeff VanderMeer’s The Southern Reach Trilogy.”

📄 Miriam Fernández-Santiago discussed “The Posthuman Wound: Neo-Apollonian Aesthetics for Transcendental(ist) Relations in the Literary Productions by Tao Lin and Francesca Ferrando.”

On day 2, our doctoral student Aurora Rodríguez-Bermejo Fraile presented “The Embodied Other: New Materialism and Critical Posthumanism in The Deep (2019).”

📄 In the same panel, Esther Muñoz-González delivered “Resurrected Identities: The Posthuman and Gothic Relationality in Kelly Link’s The Book of Love.”

📄 Our co-PI Sonia Baelo-Allué explored “Narrating Relationality: Language, AI, and the Nonhuman in Louisa Hall’s Speak.”

📄 Rubén Peinado-Abarrio presented “Mise en abyme as a Feminist Strategy in Recent US Fiction.”

On day 3, our predoctoral researcher Laura García-Soria delivered “‘A New Structure of Feeling’: Social Media, Planetarity and Relationality in The Ministry for the Future.”

The conference wrapped up after three intense days of engaging talks and meaningful academic exchanges. It’s been a pleasure to share our research and connect with colleagues from Zaragoza and beyond.

This week, the Spanish Association of American Studies will host its 17th Conference in Alicante!

As every edition, our team members can’t miss this biannual appointment with American Studies in Spain, and presented their research across the different pannels.

Our team member Miriam Fernández-Santiago chaired the panel “Posthuman fantasies: Dreaming America along the utopian-dystopian arch”. In it, our team member Esther Muñoz González delivered the paper “Disrupting Identity: Posthumanism and the Evolution of the Gothic in Catherine Lacey’s Pew (2020)”. In session 2, Rubén Peinado Abarrio presented the paper “New Materialism and the Wounded Self in Ruth Ozeki’s The Book of Form and Emptiness”. In session 3, our predoctoral researcher Lucía Bennet Ortega delivered the paper ““I Only Want My Life Back”: Spectacle, Surveillance, and Mass Media in Richard Powers’ Generosity”. In session 4, Carmen Laguarta Bueno delivered the paper “Ted Chiang’s “It’s 2059, and the Rich Kids Are Still Winning”: Transhumanism, Cognitive Enhancement, and the American Dream”. Lastly, Ana Chapman presented the paper “Dreaming in the Digital Age: Constructing a Personal Narrative in The Sleepless”.

Besides, our co-PI Mónica Calvo-Pascual chaired the panel “Technological nightmares and post humanity in contemporary US Fiction”. In Session 1, our co-PI Sonia Baelo-Allué delivered the paper “From Dreams to Nightmares: The Posthuman Trauma Novel in 21st century US Fiction”. Then, Mónica Calvo-Pascual delivered the paper “American Nightmares, Trauma and Posthumanity in Rivers Solomon’s Sorrowland”.

We’ve had some very enriching days in Alicante, exchanging with our mates in American Studies. Looking forward to the next edition!

This week, our team members have taken part in the VI Congreso Internacional de Innovación Docente e Investigación en Educación Superior “Desafíos de la Enseñanza y Aprendizaje en la Educación Superior”.

Our team members delivered their papers in the symposium “El impacto de los enfoques pedagógicos post humanistas y las herramientas digitales en la enseñanza de las humanidades”.

Miriam Fernández-Santiago delivered the paper “El alumnado posthumano frente al replicante digital: uso del Chat GPT en la enseñanza de elaboración de ensayos”.

María Abizanda-Cardona delivered the paper “Una aproximación a las habilidades del siglo XXI en el aula EFL desde la pedagogía posthumanista”.

Ana Chapman delivered the paper “La descorporealización posthumana en actividades colaborativas en intercambios virtuales en la enseñanza universitaria”.

Laura Larrodera delivered the paper “Creando redes posthumanas y espacios de vulnerabilidad a través de lo epistolar en el aula de literatura”.

Rubén Peinado-Abarrio delivered the paper “Taller de escritura creativa electrónica como actividad extracurricular para el Grado en Estudios Ingleses”.

Lastly, Sonia Baelo-Allué delivered the paper “La enseñanza de la literatura norteamericana contemporánea desde una perspectiva posthumana: una propuesta didáctica”.

#CIDICOVI was a great forum for applying the insights of our research on posthumanism into education and sharing our thoughts and perspectives on innovation. Our team members have for sure food for thought!

This week, several of our team members are taking part in the 47th edition of the AEDEAN Conference, held at Universidad Pablo de Olavide (Sevilla).

To open the first day’s sessions, our predoctoral researcher María Abizanda-Cardona delivered the paper “Technology and the True Crime Industry in Jason Pinter’s Past Crimes (2024)”.

Our predoctoral researcher Laura Larrodera delivered the paper “I Defy You, Time! The Epistolary as a Medium of Queer Posthuman Resistance in Amal El-Mohtar and Max Gladstone’s This Is How You Lose The Time War”.

In the critical theory panel, Miriam Fernández-Santiago delivered the paper “The Neo-Apollonian. A Posthuman Aesthetics for the Early 21st Century”.

Our predoctoral researcher Lucía Bennet delivered the paper “Intersecting Critical Posthumanism and Post-Truth: Human Identity in the Digital Era”.

Our predoctoral researcher Laura García Soria delivered the paper “Earth as Home: Terraforming Earth and the crisis of human identity”.

To open day 2, Rubén Peinado-Abarrio has delivered the paper “The Wounded Posthuman Condition in Kate Zambreno’s The Light Room”.

Esther Muñoz-González has delivered the paper “Remnants of Humanity: Exploring Identity in TJ Klune’s The Life of Puppets (2023) through Posthuman and Queer Gothic Lenses”.

To close the conference’s second day, Francisco Collado-Rodríguez has delivered the paper “Narratives ad infinitum: Borges’s Influence on Chuck Palahniuk’s Adjustment Day (2018)”.

Last but not least, our team members Miriam Fernández-Santiago, Ana Chapman and Lucía Bennet-Ortega hosted a lively discussion in the round table “The Posthuman Wound: Digital Vulnerability in Contemporary North-American Literature”.

We’ve had a very thought-provoking week in Sevilla! It’s been a pleasure to share the research we’re conducting in our group and to get to learn from our colleagues from all over Spain.

See you in #AEDEAN48!

This week, our PIs are taking part of the conference “Posthuman Fictions: Rethinking ‘the Human’ in Contemporary Culture”, celebrated at the Università di Genova.

Our co-PI Sonia Baelo-Allué will deliver the paper “A Narratology of the Posthuman Wound: The Posthuman Trauma Novel in 21st Century US Fiction”.

In turn, Mónica Calvo-Pascual will present the paper “Agency, Ethics and Posthumanity in Rivers Solomon’s Sorrowland”.

12th New Materialisms Conference:
Intersectional Materialisms. Diversity in Creative Industries, Methods and Practices

Maynooth University, August 26-28, 2024

Our team members Esther Muñoz-González and Ana Chapman participated in this conference with tw thought-provoking papers. Read their abstracts below:

Esther Muñoz González: “Otherness: Posthuman Discourse and the Queer Body in Pew”

 In conjunction with the Enlightenment normative, cognitive, and rational sense of the human, Luciano and Chen distinguish two inflections of the term Posthuman: the affective one, linked to the ability to feel for others, and the understanding of the human as a species, which aligns humans with other forms of life and encourages a material connection, although still maintains hierarchical differences. (2015: 195). The figure of the queer body has repeatedly unsettled the human norm to the point that they have been excluded from the very notion of full humanness (2015: 188). Luciano and Chen favor the term “nonhuman” in the context of queerness, not as an endorsement of nonhuman concepts, but due to its “familiarity, as a common descriptor of the focus of new critical developments” (2015: 196). Catherine Lacey’s third novel, Pew (2020) is set in an unnamed town in the American South, where a church congregation discovers a mysterious figure sleeping on a pew. This person has indistinguishable gender, age, and racial identity. The townspeople grapple with contradictory perceptions of Pew’s identity and disclose their worries and confidences in conversations that are essentially monologues since Pew always remains silent. As the novel progresses, Pew’s presence becomes more and more disturbing for the town community. The purpose of this talk is to analyze the characterization of Pew as a mirror in which the other characters project their fears, combined with the increasing distrust people feel when unable to categorize Pew within a strict label. The analysis traces the intersection of the inherent questioning and revision of the traditional definition of the human being encompassed in Posthuman thought in the story to discuss contemporary fears of otherness linked to concepts such as queer identities, trust, innocence, transparency, and human waste.

Ana Chapman: “Helen Marshall ’s The Migration: The Aesthetics of Nonhuman Metamorphosis, Environmental Entanglements and the Posthuman Wound”

Helen Marshall’s novel, The Migration portrays a near-future apocalyptic world afflicted with global climate change and biological transformations. Floods and an unnerving immunological disease threaten human kind as an individuating biological force. In a non-binary nature-human portrayal, the narrative allows new ways of understanding human “matter” as fluid and embedded in its environment. Barad’s theories on new materialism provide insights into postanthropocentric “more-than-human relationality” observable in the narrative. Moreover, the example of human “matter” being transformed by disease, brings about mental and body trauma to humanity. New organic changes pose questions on relational, transformational and unstable materialism to the human body. With this new metamorphosis of the corporeal, ethical encounters, ontological and epistemological debates (i.e. Barad’s ethico-onto-epistem-ology) are present and hence, human bodies become ground for critical analysis of the anthropocentric, questioning traditional scientific approaches to the body. Drawing on ecocriticism and on authors such as Derrida, Braidotti and Barad, the novel will be examined in its inclusion of human trauma that goes beyond the biological anguish of not being central to evolution (Peters 2020) and in the trauma of human’s core sense of self where nostalgia of recovery has no place. I propose that the wound caused on the novel’s characters becomes the site for dissembling the anthropocentric paradigm and consequently points towards a nonhuman egalitarian system where nature’s embedded and relational modes transcend the boundaries of its biological individual expressions.

Today the V Seminar in English Studies (SEING 2024) “English Studies Today: Research in Times of Change” is being held by the Doctoral Program in English Studies at the University of Zaragoza.

Three of our predoctoral researchers have delivered their papers on posthumanism and literature in a Panel chaired by our team member Dr. Francisco Collado.

First, our predoctoral student María Abizanda-Cardona has presented her doctoral research in the paper “The Posthuman in American Crime Fiction: A Case Study of Mur Laffery’s Six Wakes (2017)”.

Then, Laura Larrodera-Árcega has delivered the paper “Narrating the Inhuman: Robot Agency in Annalee Newitz’s Autonomous and in Amal El Mohtar and Max Gladstone’s This Is How You Lose the Time War”.

To close the panel, our newly incorporated predoctoral student Laura García has presented her research in the paper “Earth and Humanity in Contemporary Science Fiction: Living, Leaving and Coming Back”.

This week, some of our team members have presented their research in the International Conference of Three Societies on Literature and Science organized by The British Society for Literature and Science, the European Society for Literature, Science and the Arts and CoSciLit in Birmingham.

First, our co-PI Sonia Baelo-Allué introduced the theoretical framework for our research project in the paper “Literature of the Posthuman or Posthuman Literature: The Ethical Dilemmas of Techno-Human Assemblages”.

Connecting online, our predoctoral student María Abizanda-Cardona presented a case study in the paper “Hamlet and (Trans)human (Im)mortality in Em X. Liu’s The Death I Gave Him”.

And to close the panel, Miriam Fernández-Santiago delivered the paper “Diffractive Narration and Posthuman Vulnerabilities: The Digital Motif in Jennifer Egan’s The Candy House”.