María Abizanda Cardona Receives First Prize at UC Riverside Early Career Scientist Symposium

We are delighted to share that our team member María Abizanda Cardona has been awarded First Prize for Oral Presentations at the 2026 Early Career Scientist Symposium, organized by the Postdoctoral Association at the University of California, Riverside.

The symposium brought together researchers from a wide range of disciplines, providing an opportunity for early-career scholars to present their work, exchange ideas, and build new interdisciplinary connections. María’s presentation, titled “Why Scientists Should Read Crime Fiction: Literature as a Laboratory for Scientific Ethics,” explored how literary narratives can serve as valuable tools for reflecting on ethical questions in science and technology.

Her research demonstrates how crime fiction can function as a space for examining complex issues such as scientific responsibility, emerging technologies, and the social consequences of innovation. By bringing together literary studies and scientific ethics, the project highlights the important contributions that the humanities can make to contemporary debates about science and society.

Receiving the symposium’s top award is a significant achievement and a recognition of both the originality and relevance of María’s research. It also reflects the growing importance of interdisciplinary approaches that bridge the humanities, social sciences, and STEM fields.

In addition to presenting her work, María described the symposium as a valuable opportunity to meet fellow researchers, learn about projects across disciplines, and strengthen connections within the academic community.

We warmly congratulate María on this well-deserved recognition and look forward to following the continued development of her research.

New Publication: Rubén Peinado-Abarrio on Gothic and Posthuman Maternity in Kate Zambreno’s Drifts

We are delighted to share a new publication by our team member Rubén Peinado-Abarrio. His article, Gothic and Posthuman Maternity in Kate Zambreno’s Drifts,” has recently appeared in British and American Studies.

In this article, Rubén explores the intersection of Gothic Studies, feminist theory, and posthumanism through a close reading of Kate Zambreno’s novel Drifts (2020). The study investigates how the novel employs Gothic motifs such as haunting, monstrosity, and the uncanny double to challenge conventional representations of pregnancy and motherhood.

Rather than portraying maternity as a stable or idealized experience, Drifts presents it as a process of transformation that unsettles traditional notions of identity, autonomy, and bodily boundaries. Through a posthumanist lens, the novel foregrounds relationality, vulnerability, and interdependence, suggesting that pregnancy fundamentally reshapes the subject’s understanding of selfhood.

The article argues that Gothic aesthetics provide a powerful framework for representing the ambiguities and contradictions of maternal embodiment. By bringing together Gothic and posthumanist perspectives, Rubén demonstrates how Zambreno’s work contributes to contemporary debates on gender, corporeality, and subjectivity.

This publication offers an important contribution to current scholarship on contemporary American literature, motherhood studies, and posthumanist theory.

Congratulations to Rubén on this achievement and on his continued contributions to innovative research in literary and cultural studies.

Seminario: Uso de la IA en la clase de humanidades: redacción de ensayos y pósters científicos

El próximo 26 de junio de 2026, el Grupo de Innovación Docente Universitario IDEN celebrará el seminario “Uso de la IA en la clase de humanidades: redacción de ensayos y pósters científicos”, impartido por la Dra. Miriam Fernández Santiago, investigadora de U-Chass (Universidad de Granada).

La actividad abordará uno de los debates más relevantes en la educación actual: el papel de la Inteligencia Artificial en los procesos de enseñanza y aprendizaje. Mientras algunos sectores consideran estas herramientas una oportunidad para potenciar el aprendizaje autónomo y permanente, otros alertan sobre los riesgos de delegar en la tecnología determinadas tareas cognitivas fundamentales para el desarrollo del pensamiento crítico.

En este contexto, la Dra. Fernández Santiago presentará dos experiencias docentes desarrolladas en el ámbito de las humanidades que incorporan la Inteligencia Artificial para la elaboración de ensayos críticos y pósters científicos. Ambas propuestas parten de una premisa fundamental: la IA debe funcionar como una herramienta de apoyo supervisada por las personas, promoviendo procesos de aprendizaje reflexivos y evitando la automatización acrítica de las tareas académicas.

Las actividades expuestas muestran estrategias de evaluación centradas en los procedimientos, la toma de decisiones y la reflexión del estudiantado, más que en los resultados finales. De este modo, se busca aprovechar el potencial de la IA para enriquecer la formación universitaria sin renunciar al desarrollo de competencias intelectuales esenciales.

Información del evento

Título: Uso de la IA en la clase de humanidades: redacción de ensayos y pósters científicos

Ponente: Dra. Miriam Fernández Santiago (U-Chass, Universidad de Granada)

Fecha: 26 de junio de 2026

Horario: 9:30–11:00 h

Lugar: Sala de juntas FYL

Certificación: Los participantes recibirán certificación de CIFICE.

INSCRÍBETE AQUÍ

Invitamos a toda la comunidad universitaria interesada en la innovación educativa, las humanidades digitales y la integración crítica de la Inteligencia Artificial en la docencia a participar en esta actividad.

GIFCon 2026

We are delighted to announce that our team member María Ferrández San Miguel participated in Glasgow International Fantasy Conversations (GIFCon) 2026, an international conference hosted online by the University of Glasgow’s Centre for Fantasy and the Fantastic from 13 to 15 May 2026.

This year’s conference theme, “The Technologies of the Fantastic,” brought together scholars from around the world to examine the complex relationships between magic, science, technology, and the fantastic across literature, media, and culture.

As part of the programme, María presented her paper:

“Transhumanism, Immortality and the Political Role of Fantasy in Brandon Sanderson’s The Final Empire (2006).”

Her presentation explored how Sanderson’s novel engages with questions of transhumanism and immortality, while highlighting fantasy’s capacity to interrogate political power, social structures, and technological imaginaries. The paper contributed to broader conversations about how contemporary fantasy literature reflects and challenges evolving understandings of humanity and technological transformation.

We congratulate María on her participation and thank the organizers of GIFCon 2026 for creating a stimulating forum for scholarly exchange and interdisciplinary dialogue.

Our Research Group at The Poetics and Politics of Literary Assemblages (University of Málaga, 18–20 May 2026)

We are delighted to share that several members of our research group have taken part in the international conference The Poetics and Politics of Literary Assemblages, hosted by the University of Málaga. This event brings together scholars working at the intersection of literary studies, assemblage theory, posthumanism, and contemporary critical thought.

Across the three days of the conference, our team will contribute to key discussions on posthuman subjectivity, care, narrative experimentation, and more-than-human relationality. Below is a list of our members’ papers, presented in order of appearance in the programme.


Mónica Calvo Pascual

“Complexity, Self-Organization and More-than-human Assemblages in Rivers Solomon’s Sorrowland
In this paper, Calvo Pascual examines the intersections of complexity theory and posthumanism, analysing how Sorrowland articulates non-human agency and emergent forms of relationality.


Ana Chapman

“Dreams and Sleep in Contemporary Science-Fiction: An Aesthetic Response to the Fear of Techno-Human Assemblages”
Chapman explores how contemporary science fiction mobilises dreamscapes and sleep as narrative strategies to engage with anxieties surrounding techno-human entanglements.


María Abizanda-Cardona

“‘I was a collage myself, flesh and machine’: Posthuman Assemblages of Care in Lincoln Michel’s The Body Scout (2021)”
This paper analyses the articulation of care within posthuman frameworks, focusing on embodiment, vulnerability, and relationality in Michel’s biocapitalist dystopia.


Sonia Baelo Allué

“Assembling Trauma: Human-Machine Narrative Entanglements in Vauhini Vara’s ‘Ghosts’”
Baelo Allué examines how trauma is mediated through digital and algorithmic forms, foregrounding the entanglement of human experience and machine-generated narrative.


Esther Muñoz González

“The Möbius Loop as Narrative Form in Catherine Lacey’s The Möbius Book
This paper investigates the Möbius loop as a structural and conceptual device, highlighting its implications for narrative temporality, selfhood, and textual assemblage.


Miriam Fernández Santiago

“Sharpening the Terminological Apparatus for Posthuman Assemblages”
Fernández Santiago offers a theoretical intervention aimed at refining and clarifying the conceptual vocabulary used in posthuman assemblage studies.


Lucía Bennett Ortega

“The Shape of Memory at the Edge of the Human in Richard Powers’ Playground (2024)”
Bennett Ortega explores the representation of memory in relation to ecological and posthuman concerns, analysing how Powers’ novel reimagines cognition beyond the human.

Exploring the History and Myths of Crime Fiction at the XIII Festival Aragón Negro

On May 15, our research team had the pleasure of participating in the XIII edition of the Festival Aragón Negro with the lecture “Crime Fiction Through History: Milestones and Myths”, delivered by our predoctoral researcher and team member María Abizanda-Cardona. The event offered a valuable opportunity to reflect on the historical evolution of crime fiction and its enduring relevance within contemporary cultural and academic debates.

Hosted in collaboration with the Comarca Campo de Daroca and the Fundación Campo de Daroca, the session brought together readers, students, and members of the local community for an engaging discussion on the development of the genre, its most influential authors, and some of the myths that continue to shape public perceptions of crime fiction today.

Throughout the lecture, attendees explored how crime fiction has evolved from classic detective narratives to contemporary noir and speculative crime fiction, examining the ways in which the genre reflects social anxieties, political tensions, technological change, and ethical dilemmas across different historical periods. Particular attention was given to the idea that crime fiction has never been “just entertainment,” but rather a literary form deeply connected to questions of justice, power, inequality, and cultural transformation.

We would like to express our sincere gratitude to the Comarca Campo de Daroca and the Fundación Campo de Daroca for their warm welcome and excellent organization, as well as to the Festival Aragón Negro for continuing to promote spaces dedicated to cultural dissemination, critical dialogue, and public engagement with literature and the humanities.

We are also especially thankful to everyone who attended the event and contributed to the conversation with their questions, reflections, and enthusiasm. It was a genuine pleasure to share this space for dialogue and critical thinking with such an engaged audience.

This activity forms part of our ongoing research on crime fiction as a framework for exploring the social, ethical, and technological challenges that shape contemporary society.

IDEN participa en la X Jornada del Observatorio Permanente de Innovación Docente de la Universidad de Zaragoza

Nuestros investigadores Francisco Collado Rodríguez, María Ferrández San Miguel y María Abizanda Cardona han representado el Grupo de Innovación Docente IDEN (Innovación y Docencia en Estudios de Literatura Norteamericana) en la X Jornada del Observatorio Permanente de Innovación Docente de la Facultad de Filosofía y Letras de la Universidad de Zaragoza.

La jornada, organizada bajo el título “Innovación y Competencias”, reunió a profesorado, estudiantado y grupos de innovación docente en un espacio dedicado al intercambio de experiencias, metodologías y proyectos orientados a la mejora de la enseñanza universitaria. A lo largo de la mañana, las distintas sesiones pusieron de relieve la importancia de la innovación pedagógica, la colaboración interdisciplinar y el desarrollo de competencias clave en el contexto de la educación superior contemporánea.

El GIDU IDEN intervino en la Sesión 2 junto al GIDU INNOLINGUA, compartiendo algunas de las líneas de trabajo e iniciativas que nuestro grupo desarrolla en el ámbito de la innovación docente aplicada a los Estudios de Literatura Norteamericana. La participación en este encuentro ha supuesto una excelente oportunidad para dialogar con otros equipos docentes, conocer nuevas propuestas pedagógicas y seguir fortaleciendo redes de colaboración dentro de la Universidad de Zaragoza.

La jornada contó además con las ponencias invitadas de Sandra Vázquez Toledo y Rubén Rebollar Rubio, así como con la participación de los grupos REFRAME y BRIET, cuyas contribuciones enriquecieron el debate sobre los retos y posibilidades de la docencia universitaria actual.

Desde IDEN queremos agradecer la asistencia y participación de todas las personas que hicieron posible este espacio de encuentro y reflexión. Seguimos trabajando para construir una enseñanza universitaria más innovadora, participativa y conectada con las necesidades del presente.

Nuestra investigadora María Abizanda-Cardona participa en el Festival Aragón Negro 2026

Nos alegra anunciar la participación de nuestra investigadora predoctoral María Abizanda-Cardona en la XIII edición del Festival Aragón Negro, uno de los principales encuentros culturales dedicados al género negro en Aragón.

María impartirá la conferencia titulada “La novela negra en su historia: hitos y mitos”, una actividad centrada en la evolución histórica del género negro y criminal, sus principales referentes y las transformaciones culturales que han marcado su desarrollo hasta la actualidad.

📅 15 de mayo
🕖 19:00 h
📍 Fundación Campo de Daroca

La charla ofrecerá un recorrido por algunos de los momentos clave de la novela negra, reflexionando sobre cómo el género ha servido históricamente para explorar conflictos sociales, desigualdades, violencia, corrupción y cambios culturales. Asimismo, se abordarán algunos de los mitos y estereotipos más extendidos en torno a la literatura noir y su presencia contemporánea.

Esta actividad constituye una excelente oportunidad para acercar la investigación académica al público general y fomentar el diálogo entre universidad, cultura y sociedad a través de la divulgación humanística y la transferencia de conocimiento.

La programación completa del festival, que se celebrará del 5 de mayo al 16 de junio, puede consultarse en la web oficial del evento: Festival Aragón Negro

Desde el grupo queremos felicitar a María por esta participación y animar a todas las personas interesadas en la literatura y la cultura noir a asistir a la conferencia.

Our Research Group at SEING VI (Universidad de Zaragoza, May 2026)

We are pleased to announce that several members of our research group will participate in the VI Seminar in English Studies (SEING VI), hosted by the Universidad de Zaragoza. This doctoral seminar provides a valuable platform for early-stage researchers to present their work, exchange ideas, and engage with current debates in English Studies .

Under the theme “Research as Resistance in a World at Odds,” this year’s edition foregrounds the role of academic inquiry in responding to contemporary global challenges . Our team contributes to these discussions through papers that address surveillance, race, posthumanism, and the limits of representation.

Below is a list of our members’ papers:


Javier Álvarez

Rethinking Utopia in Times of Crisis: Posthuman Ethics and Alternative Futures in Contemporary Fiction”.

María Abizanda-Cardona

“Big Brother meets big business: The Biopolitics of Surveillance Capitalism in Rob Hart’s The Warehouse (2019)”
This paper examines the convergence of corporate power and surveillance technologies, analysing how Hart’s novel depicts the datafication of subjectivity and the expansion of biopolitical control under late capitalism.


Aurora Rodríguez Bermejo Fraile

“Gothic Themes and the Black Body in Rivers Solomon’s Model Home
Rodríguez Bermejo Fraile explores how contemporary Gothic reconfigures racialised embodiment, foregrounding the intersections of horror, identity, and systemic oppression.


Laura García Soria

“‘No use living without delight’: Virtual Unreality and Vulnerable Materiality in Ursula K. Le Guin’s Paradises Lost (2002)”
This paper investigates the tension between virtuality and embodiment, analysing how Le Guin reasserts material vulnerability in speculative narratives of simulated experience.


Alessandra Martín González

“Posthuman Shapeshifting: Blurring the Boundaries Between Human and Nonhuman in Nnedi Okorafor’s Lagoon
Martín González examines shapeshifting as a posthuman strategy that destabilises fixed ontologies and reimagines human–nonhuman relations within Afrofuturist frameworks.


Marta Hernández González

“Nonhuman Biography and the Limits of Representation in Karen Joy Fowler’s We Are All Completely Beside Ourselves
This paper addresses the challenges of narrating nonhuman lives, interrogating the ethical and epistemological limits of representation in literary depictions of animal subjectivity.

Our group’s participation in SEING VI highlights our ongoing engagement with contemporary critical theory and interdisciplinary approaches to literature. By addressing issues such as surveillance, embodiment, and posthuman relationality, these papers contribute to broader conversations about the role of the humanities in a rapidly changing world.

We look forward to an enriching exchange of ideas in Zaragoza.

El Gran hilo que todo lo une, un cuento posthumano

We are proud to celebrate the publication of El Gran hilo que todo lo une, un cuento posthumano, the new children’s book by our colleague María Ferrández San Miguel.

BUY IT HERE

The book brings together academic research, literature, and ethical engagement with the more-than-human world, translating ideas from critical posthumanism into an accessible and meaningful story for children.

Inspired both by her research and by her personal experience as a mother, the book emerges from a desire to encourage values of respect, interdependence, and care toward all beings and environments with which we coexist.

This project is a wonderful example of how university research can engage with artistic creation and reach audiences beyond academia. Through storytelling and imagination, the book invites readers to reflect on our relationship with the world and on the importance of building more sustainable and empathetic futures.

We would also like to congratulate illustrator @eimoncayo, whose artwork beautifully brings the story to life, and the publisher @babidibulibros for supporting this project.

We are proud to see how the ideas explored within our research group continue to find new forms of cultural and social impact.